A MANUAL OF GOTHIC MOLDINGS by F. A. PALEY

By F. A. PALEY

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At figs. Norman work ; fig. 2, some or and the sub- rolls, arch cut away into a broad semi-cylindrical rib, as in represents, a ; which fig. 4, Barholme, Lincolnshire, 7 and 8, are groin-ribs of the one from Glastonbury, the other from Peterborough, early Norman : both satisfactorily exhibiting the formation of the roll- ; molding or bowtell. The deep rounded hollow (as contrasted with the mere notch), by which the contrast of light and shade was obtained, was an after-thought, which was not developed period, when it was carried to till the Early English an extravagant excess, so that roll-moldiDgs were extensively undercut or attached only by a small neck of stone detached arches or ; thus bearing the effect of a series of ribs, rising in succession above and behind each other, each independent and unconnected, the eye being unable to penetrate to the depth of the dark hollow.

Varieties; in fact, the combination of the roll-and-fillet having been once suggested, they seem to have been utmost PL. Fig. 15 is a groin-rib from Furness Abbey. licence. 4 and III. figs. Abbey ; 5 and 6 Robertsbridge groin-ribs from are are fragments from Tintern and St. Mary's from Histon, near Cambridge. The members plane, as in style. 7, Fig. 9 is the arch-mold of a double piscina with Abbey, York. its capital used together with the PL. in PL. IV. III. fig. 1, Three pointed rolls fig. 11, fall wholly on the chamfer- which is seldom the case in this placed together, somewhat in the form of a fleur-de-lis,* form a combination of very frequent occurrence.

I. fig. 8 ; PL. X. 22, 24, 40. drawing which represents the outline of these projections recesses, is called the section or profile of a molding, being the appearance right angles to it would present its bearing. if cut through by a plane at Thus PL. A b, would present the appearance of I. fig. fig. 5. 10, if cut across INTRODUCTORY. A mold, or molding (the former is the ancient term), monly signifies the entire arch but ; A we com- which ornaments a jamb or of such series. a is when placed said to be grouped, generally find group series here generally used in the sense of a particular it is member Members are part or tion, as 11 them ; in combina- but bunch of moldings separate or members, standing prominent or isolated, either on a shaft or between two deep hollows.

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